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November 14, 2005

Hella Jongerius receives the RISD 2005 Athena Award for Excellence in Industrial Design

Dutch designer Hella Jongerius has developed a reputation for combining elements of high technology with traditional craftsmanship to create her unique textiles and ceramics. Many of her designs are produced through JongeriusLab, the company she launched in Rotterdam in 2000. Jongerius also designs high-end products for manufacturers such as Maharam, Royal Tichelaar Makkum and Vitra, and a new line of ceramics she designed for Ikea debuts in August 2005. Her first big break came in 1993, when a polyurethane bath mat she created for her final project at the Eindhoven Design Academy (the top design school in the Netherlands, where she now also teaches) was picked up by Droog, an influential Dutch design collective that manufactured many of her early pieces. The young designer has already garnered considerable acclaim, including a 2002 retrospective of her work at the Design Museum in London, having numerous pieces in the permanent collection of the Museum of Modern Art and guest curating a recent show at the Cooper-Hewitt National Design Museum in New York City.

About the RISD Athena Awards

Each year RISD presents distinguished service awards to outstanding individuals in the world of art and design and to corporate leaders who promote design excellence, support the arts and/or exemplify business innovation. The 2005 Athena Awards were November 14, at Tribeca Rooftop, New York City. Judith Tannenbaum, Richard Brown Baker Curator of Contemporary Art at The RISD Museum presented the Helen Adelia Rowe Metcalf Award to performance artist Laurie Anderson (pictured above, at the podium).

Athena Awards were then presented by Barbara Bloemink, curatorial director of the Cooper-Hewitt Museum, to Hella Jongerius for excellence in industrial design; by Wendy Weitman, curator of prints and illustrated books at the Museum of Modern Art, to Kiki Smith for excellence in printmaking; and by RISD President Mandle to Tiffany & Co. for corporate leadership. As he accepted the award, Tiffany CEO Michael Kowalski drew laughs by referring to himself as the “corporate dork” in a crowd of artists and designers. But the audience was clearly impressed with the extensive philanthropic and humanitarian efforts of the Tiffany Foundation, which Mandle had just described.

John Remington, vice president of Events Marketing and Communications for Target, introduced the five finalists for the RISD/Target Emerging Designer Award, selected on the basis of both good citizenship and aesthetic excellence. Slides of the designers’ work flashed on a large screen as Remington hailed their achievements: Charlie Lazor, whose FlatPak home design offers a breakthrough in the prefab market; Ji Lee, whose speech-bubble stickers turn corporate messages into democratic dialogue; Gerard Minakawa [RISD ’97, Industrial Design], who introduces Bolivian craftspeople to sustainable bamboo designs;Cameron Sinclair, the founder of Architecture for Humanity, which promotes architecture and design solutions to humanitarian crises; and Cameron Sinclair, whose “paraconceptual” objects point to the similarities between art and design.

Remington named the winner, Cameron Sinclair, who has of late spent most of his time coordinating rebuilding efforts in the wake of Hurricane Katrina and the earthquake in Pakistan. Sinclair stepped to the podium, gave his thanks, and without a second thought announced what he would do with his prize money: “It’s only fitting that half goes to getting families back into their homes in Biloxi, Mississippi, and the other half to developing earthquake-resistant housing in Kashmir.”


Contact:
Rhode Island School of Design
Two College Street
Providence, RI 02903
Tel.: 401-454-6100
www.risd.edu