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May 19 - June 3, 2007

Homework: Domestic Totems and Tableaux by Studio Job at Moss Gallery, New York

In the first solo exhibition of their work in the USA, Moss presents Homework, created by Studio Job in 2006-2007 as a suite of eight works: seven heroic compositions in bronze, glass, and wood, plus one monumental wall mirror.Each piece is offered in a limited edition of five, exclusive to moss.

Part domestic utility, part heroic sculpture, these precious hand-wrought common household objects-including fully-functional cooking pots, stools, lanterns, and coal bins-magnified to exalted proportions, rendered in polished bronze, and placed upon aged wooden pedestals like sacred statuary or palatial historical busts, define the term 'oxymoron', and cast to the winds the traditional approach to both sculptural as well as design practice.

With a genealogy somewhere between Duchamp and Koons, these seductive, pseudo-erotic objects, redolent with consumer desire, are neither purely Commodity nor purely Art, but dwell in an uneasy zone between object and objet d'art. Transmitting clear visual references to both classical sculpture and iconic design, these mutant works suggest a narrative and history and mythology which, in fact, are never explained.

In addition, Moss will present a preview from the Studio Job masterwork-in-progress: Robber Baron - Tales of power, corruption, art, and industry, cast in bronze. An important suite of five polished bronze functional pieces, consisting of a Cabinet, Mantel Clock, Table, Standing Lamp, and Jewel Safe. The Cabinet, alone, will be previewed, with the remaining pieces to be shown later in the year.

Magnificent in scale, exceptionally finely detailed, with the precision of mechanical movements where required, and incorporating deeply carved iconographic reliefs, these works are guild-like in their master craftsmanship, each taking approximately one year to complete.
Their mirror finish reflecting the outrageous excesses of America's 19th century tycoons and Russia's new oligarchs, these surreal, highly-expressive furnishings, each a complex composition of multiple visual elements, represent an interior belonging to a powerful industrial leader, or their heirs. With clouds of pollution belching from towering smoke stacks, missiles and falcons and gas masks, warplanes and wrenches adorning golden surfaces, Robber Baron celebrates and shames both Art and Industry.


Contact:
Franklin Getchell, President
Moss
150 Greene Street
New York, NY 10012
Tel.: 212-204-7100
Fax: 212-204-7101
franklin@mossonline.com
www.mossonline.com